11/11/2022 0 Comments Zz top liveOffering little in the way of elucidation on that occasion, Gibbons has often shared how much he adores the Stones and their 1972 record, despite once not selecting the record among his favourite albums of all time. Exile on Main St., is a simple but effective answer. Speaking with Elmore magazine, Gibbons only had one answer when faced with picking out one record to take with him to the aforementioned sand mound. For an artist like Gibbons, they represented the quintessential style of rock and roll. King and a host of others, Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts became the biggest band on the planet. Using the iconic slides and shimmies of Chuck Berry, B.B. Having grown up in Dartford, the Stones took lessons from the Delta blues to create their own type of rock and roll. It makes sense then that his own favourite album of all time would be from a band who enacted on a similar journey, The Rolling Stones. From there, he would leap from strength to strength, gaining knowledge and performance power with every new song learnt and new act witnessed. King recording session, which inspired a young Gibbons to pick up a guitar for the first time. When Gibbons was seven years old, his father took him to a B.B. It feels as if the icon was destined to enter the realm of music, seeing as his father was an orchestra conductor and concert pianist who worked for Samuel Goldwyn at MGM Studios. K.G.Back to the guitar hero in question, a sense of destiny surrounds Billy Gibbons. Maybe it’s just because we got out of town on time.” The original recording was Gibbons solo with co-writer Linden Hudson playing bass on a synth (and, yeah, that’s a drum machine), but when ZZ Top played it live, Gibbons and Hill would trade lyrics, making the tableau described in the song a sort of twisted ménage à trois that would confound even Freud. “And if not, whose was it? Well, fortunately that kind of pressure we’re not under. “Everybody asks if ‘Under Pressure’ was about a girlfriend of mine,” Gibbons told Spin in 1985. By the time he’s ready for a break, in the song’s bridge, he expects her to beat him up and leave him in a ditch when he tells her it’s over, but hey, such was the imaginary life of ZZ Top in 1983. All he’s capable of is trying to keep up with her predilections for French food, art museums, and having sex in cars while wearing London Fog slickers. K.G.īilly Gibbons never explains how he hooked up with a hoity-toity dominatrix cokehead in the Eliminator hit “Got Me Under Pressure,” because she got him so stressed out. If the guy’s got good wine, it’s OK.” The way the song seamlessly segued into Hombres’ bar rocker “Jesus Just Left Chicago” as if nothing happened made for one of the best one-two punches in the history of road rock. The thing about a bus is who you have to sit beside. “You can meet some very unique people on a bus and in a bus station,” Hill told Spin in 1985. The Homeric track that opened their iconic Tres Hombres album starts with a thin, precise bluesy guitar lick and a tight, sighing drum line that foreshadows the band’s electro-blues era, setting up Gibbons and Hill to plead for compassion in concert: “Have mercy!” Gibbons goes on to explain they’ve been waiting for the bus all day, with a bottle of booze and some leftover scratch, but, horror of horrors, when the bus arrives, it’s “packed up tight.” Blues harp virtuoso James Harman takes a solo, and by the time the song finishes up, the ZZ guys are dreaming of getting a Cadillac someday (fast forward to Eliminator ). Poor ZZ Top, they just wanted to get home.
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